Solo Show Curated by Amit Mukhopadhyay, in 2014


The Mahabharata Lamentation is a meditation on the silent aftermath of war. Rather than celebrating the heroic battles and legendary victories that have long defined the Mahabharata, Sankha Banerjee's exhibition turns its attention towards those who remain when the war is over—the women who survive. Inspired primarily by the Strī Parva, one of the most emotionally profound books of the Mahabharata, the exhibition explores grief not as a passing emotion but as an enduring condition that follows every battlefield. The victorious kings inherit glory and kingdoms, while mothers, wives, daughters and sisters inherit absence. Their lives continue, but forever marked by loss.

Presented as a series of meticulously handcrafted pop-up art books, the exhibition transforms one of the world's greatest epics into an intimate experience of mourning. Each unfolding page becomes an act of remembrance, revealing fragile visual narratives that invite viewers to pause, reflect and witness the emotional landscape left behind by war. Instead of recounting military triumphs, the books unfold as elegies—quiet spaces where memory, longing and sorrow emerge through movement, paper and light.

Banerjee approaches the Mahabharata not as a chronicle of heroic conquest but as a timeless reflection on the human cost of violence. While generations have admired the courage of warriors and the grandeur of Kurukshetra, The Mahabharata Lamentation asks a different question: Who mourns after the victory? The answer lies in the voices of Gandhari, Kunti, Draupadi and the countless unnamed women whose grief fills the pages of the Strī Parva. Their lamentations transform the epic from a narrative of conquest into one of compassion, revealing that every celebrated victory is accompanied by immeasurable personal loss.

I Gallery Art and Aesthetics, Delhi

THE MAHABHARATA

LAMENTATION

The visual language of the exhibition combines intricate ink drawings, layered paper engineering, hand-coloured illustrations and sculptural pop-up structures. Every opening and unfolding page echoes the gradual unveiling of memory itself. Shadows, folds and three-dimensional forms create moments of intimacy, allowing viewers to experience the artwork not merely as images but as living spaces of remembrance. The artist dissolves the boundaries between book, sculpture and installation, making the act of reading a physical encounter with grief.

Although rooted in an ancient epic, the exhibition resonates deeply with contemporary realities. Across cultures and throughout history, wars continue to produce narratives of heroism while leaving generations of women to bear the emotional burden of irreversible loss. By foregrounding these universal experiences of mourning, Banerjee shifts the focus from the spectacle of conflict to its lasting human consequences. The exhibition suggests that the true legacy of war is not victory but memory, and that history is often preserved not only through the deeds of heroes but through the tears of those who remain.

Curated by Amit Mukhopadhyay, The Mahabharata Lamentation was presented as a solo exhibition at Gallery Art & Aesthetics, New Delhi. The exhibition invited audiences to encounter the Mahabharata through the lens of empathy rather than triumph, offering a deeply moving interpretation of the epic in which the voices of grieving women become its moral centre. Through the tactile language of the artist's book, Sankha Banerjee reminds us that while wars may conclude on the battlefield, their echoes continue in the lives of those who wait, mourn and remember.

SANKHA

BANERJEE